Honey Girl by Morgan Rogers is a beautifully written debut novel, and one I’ll be thinking about for a long time. Stop in to learn more, grab a copy, and read an excerpt. Rating: 5/5.
HONEY GIRL (Park Row Books; February 23, 2021; $17.99) by Morgan Rogers is a stunning #ownvoices debut, a charming, lyrical, and introspective romantic coming-of-age story about Grace Porter – millennial, Black woman, astronomy Ph.D. – who wakes up after a wild night in Vegas married to a woman she doesn’t know.
Strait-laced and structured all her life, Porter now faces life without a plan for the first time ever. Between her disappointed military father, the competitive job market, and a consuming sense of aimlessness, finding and falling in love with her wife across the country seems to be the only right answer. But Porter’s problems are just as big in Brooklyn as they are anywhere else, and she realizes she’s going to have to face adulthood whether she’s ready or not.
Title: Honey Girl
Author: Morgan Rogers
Publisher: Park Row Books
Genre:Adult, Contemporary, Romance, LGBT
Release Date: February 23, 2021
Grace wakes up slow like molasses. The only difference is molasses is sweet, and this—the dry mouth and the pounding headache—is sour. She wakes up to the blinding desert sun, to heat that infiltrates the windows and warms her brown skin, even in late March.
Her alarm buzzes as the champagne-bubble dream pops.
Grace wakes in Las Vegas instead of her apartment in Portland, and she groans.
She’s still in last night’s clothes, ripped high-waisted jeans and a cropped, white BRIDE t-shirt she didn’t pack. The bed is warm, which isn’t surprising. But as Grace moves, shifts and tries to remember how to work her limbs, she notices it’s a different kind of warm. The bed, the covers, the smooth cotton pillowcase beside her, is body-warm. Sleep-warm.
The hotel bed smells like sea-salt and spell herbs. The kind people cut up and put in tea, in bottles, soaking into oil and sealed with a little chant. It smells like kitchen magic.
She finds the will to roll over into the warm patch. Her memories begin to trickle in from the night before like a movie in rewind. There were bright lights and too-sweet drinks and one club after another. There was a girl with rose-pink cheeks and pitch-black hair and, yes, sea-salt and sage behind her ears and over the soft, veiny parts of her wrists. Her name clings to the tip of Grace’s tongue but does not pull free.
The movie in Grace’s head fast-forwards. The girl’s hand stayed clutched in hers for the rest of the night. Her mouth was pretty pink. She clung to Grace’s elbow and whispered, “Stay with me,” when Agnes and Ximena decided to go back to the hotel.
Stay with me, she said, and Grace did. Follow me, she said, like Grace was used to doing. Follow your alarm. Follow your schedule. Follow your rubric. Follow your graduation plan. Follow a salt and sage girl through a city of lights and find yourself at the steps of a church.
Maybe it wasn’t a church. It didn’t seem like one. A place with fake flowers and red carpet and a man in a white suit. A fake priest. Two girls giggled through champagne bubbles and said yes. Grace covers her eyes and sees it play out.
“Jesus,” she mutters, sitting up suddenly and clutching the sheets to keep herself steady.
She gets up, knees wobbling. “Get it together, Grace Porter.” Her throat is dry and her tongue sticks to the roof of her mouth. “You are hungover. Whatever you think happened, didn’t happen.” She looks down at her t-shirt and lets out a shaky screech into her palms. “It couldn’t have happened, because you are smart, and organized, and careful. None of those things would lead to a wedding. A wedding!”
“Didn’t happen,” she murmurs, trying to make up the bed. It’s a fruitless task, but making up the bed makes sense, and everything else doesn’t. She pulls at the sheets, and three things float to the floor like feathers.
A piece of hotel-branded memo paper. A business card. A photograph.
Grace picks up the glossy photograph first. It is perfectly rectangular, like someone took the time to cut it carefully with scissors.
In it, the plastic church from her blurry memories. The church with its wine-colored carpet and fake flowers. There is no Elvis at this wedding, but there is a man, a fake priest, with slicked back hair and rhinestones around his eyes.
In it, Grace is tall and brown and narrow, and her gold, spiraling curls hang past her shoulders. She is smiling bright. It makes her face hurt now, to know she can smile like that, can be that happy surrounded by things she cannot remember.
Across from her, their hands intertwined, is the girl. In the picture, her cheeks are just as rose-pink. Her hair is just as pitch-black as an empty night sky. She is smiling, much like Grace is smiling. On her left hand, a black ring encircles her finger, the one meant for ceremonies like this.
Grace, hungover and wary of this new reality, lifts her own left hand. There, on the same finger, a gold ring. This part evaded her memories, forever lost in sticky-sweet alcohol. But there is it, a ring. A permanent and binding and claiming ring.
“What the hell did you do, Porter?” she says, tracing it around her finger.
She picks up the business card, smaller and somehow more intimate, next. It smells like the right side of the bed. Sea salt. Sage. Crushed herbs. Star anise. It is a good smell.
On the front, a simple title:
ARE YOU THERE?
brooklyn’s late night show for lonely creatures
& the supernatural. Sometimes both.
She picks up the hotel stationery. The cramped writing is barely legible, like it was written in a hurry.
I know who I am, but who are you? I woke up during the sunrise, and your hair and your skin and the freckles on your nose glowed like gold. Honey-gold. I think you are my wife, and I will call you Honey Girl. Consider this a calling card, if you ever need a—I don’t know how these things work. A friend? A—
Wife, it says, but crossed out.
A partner. Or. I don’t know. I have to go. But I think I had fun, and I think I was happy. I don’t think I would get married if I wasn’t. I hope you were, too.
What is it they say? What happens in Vegas, stays in Vegas? Well, I can’t stay.
Maybe one day you’ll come find me, Honey Girl. Until then, you can follow the sound of my voice. Are you listening?
Excerpted from Honey Girl by Morgan Rogers, Copyright © 2021 by Morgan Rogers
Published by Park Row Books
Honey Girl is a truly breathtaking debut novel by Morgan Rogers, and one I am so excited to showcase to you all today. I enjoy reading poetry, because I love how descriptive and imaginative the writing is. While Honey Girl is not poetry, reading it felt like I was ready poetry. I saw someone describe this as a rom-com in reverse, and that feels like the most accurate depiction of what Honey Girl is. When I first started reading it, I even commented like, “who are these people why is this such a big deal, and WHY DO I CARE?!”. It started with a somewhat major life event, and it felt confusing to jump into these characters lives in the middle of a story. However all of these thoughts quickly evaporated, and as the pages turned my love and understanding for this story evolved.
I loved getting to know Grace and the people closest to her. I loved finally getting a book with so much diversity without it being tokenism. These characters are people we know, they’re people that exist in the world, and they have lives and stories to tell as well. We need more black, trans, queer, Indian, Japanese, disabled, etc characters. We need them to hold as much of a spot in the literary world as “white, mousy brunettes” do. Grace’s found family was so loverly, and Morgan Rogers did such a fantastic job at creating a story that leapt off the pages. I want to see Honey Girl EVERYWHERE! It was refreshing, and relatable, and interesting, and I cried as I read through the ending.
This is a story I really want people to read, so I don’t want to get too much into specifics to the point anyone thinks they know what there is to know about this novel. You just have to read it for yourself. I relate so much to the constant dread that comes with finishing higher education, and having to face the world alone to find your own place in it. Battling the expectations of your parents and your peers, and wanting to make a life and a career for yourself that makes you happy and not necessarily anyone else. The friendships and character relationships throughout this story felt so genuine and authentic, that I almost felt like I knew these people myself. I really consider this such a special book, and I hope you all get yourself a copy.
About The Author:
Morgan Rogers is a queer black millennial. She writes books for queer girls that are looking for their place in the world. She lives in Maryland and has a Shih Tzu named Nico and a cat named Grace that she would love to write into a story one day. HONEY GIRL is her debut novel.
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